| 000 | 01926nam a22006017a 4500 | ||
|---|---|---|---|
| 003 | OSt | ||
| 005 | 20230816131230.0 | ||
| 008 | 221006b |||||||| |||| 00| 0 eng d | ||
| 020 | _a9 789077 966266 | ||
| 040 | _cBiblioteca Lado V | ||
| 082 |
_a720 _bO59a |
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| 100 |
_9942 _aOsterman, Arjen _eeditor |
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| 245 | _aArchitecture of Peace/ | ||
| 260 |
_bErste Stiftung _c2010 _aAmsterdam |
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| 300 |
_c20x27cm _a60p. |
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| 490 |
_a04 _v2010 |
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| 505 | _tEditorial | ||
| 505 | _tThe Social Scientist | ||
| 505 | _tWars of the World | ||
| 505 | _tProvide and Enable | ||
| 505 | _tThe Architect: Keeping the Pace | ||
| 505 | _tThe Aesthetic of Ethics | ||
| 505 | _tThe Aesthetic of Ethics | ||
| 505 | _tThe Architect | ||
| 505 | _tThe Road to Hell is Paved witch Good Intentions | ||
| 505 | _tThere's No Such Thing as a Neutral State | ||
| 505 | _tBlue Fabric | ||
| 505 | _tBlue Fabric | ||
| 505 | _tBlue Voxpop | ||
| 505 | _tIn the Service of Peace | ||
| 505 | _tBetter Safe Than Sorry | ||
| 505 | _tThe Lawyer | ||
| 505 | _tReclaiming Babur's | ||
| 505 | _tReturn to Nature | ||
| 505 | _tPeacebreeding | ||
| 505 | _tThe Afghan Gordian Knot | ||
| 505 | _tThe Soldier | ||
| 505 | _tThe Shall | ||
| 505 | _tThe Emerging Cities of Iraqi | ||
| 505 | _tWorking in a Palestinian Refugee Camp | ||
| 505 | _tIt's The Architect's Fault! | ||
| 505 | _tIntellectual Disaster Tourism | ||
| 505 | _tThe Distance Narrows | ||
| 505 | _tColophon | ||
| 650 |
_2Tesauro de Arte & Arquitectura _aARTE _9703 |
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| 650 |
_2Tesauro de Arte & Arquitectura _aARQUITECTURA |
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| 650 |
_2Tesauro de Arte & Arquitectura _aCRITICA |
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| 650 |
_2Tesauro de Arte & Arquitectura _aAPRECIACION |
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| 650 |
_2Tesauro de Arte & Arquitectura _aPEACE |
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| 650 |
_2Tesauro de Arte & Arquitectura _aSOCIEDAD |
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| 710 |
_aZero-Six Editions _eeditor |
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| 942 |
_2ddc _c1 _h720 _iO59a _n0 |
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| 999 |
_c4132 _d4132 |
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