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Knowledge production in visual arts organisations : a case study on the triangle network / Sofia Ana Elise Steinvorth.

By: Material type: TextLanguage: English Series: The Lisbon Consortium T(h)ESESPublication details: Lisboa, Portugal : UPC Press, 2023.Edition: 2nd editionDescription: 192 páginas ; 23 cmISBN:
  • 9789725409145
Subject(s): DDC classification:
  • 707 ST823k
Online resources:
Contents:
Acknowledgements. -- Introduction. -- PART I Visual Arts Organisations Within the Contemporary Arts Landscape. -- CHAPTER 1 Knowledge Production from Curatorial Discourse to Institutional Aim. -- 1.1 Artistic Research. -- 1.2 The Role of the Curator. -- 1.3 New Institutionalism. -- CHAPTER 2 Visual Arts Organisations: Three Case Studies from the Triangle Network. -- 2.1 Triangle Network. -- 2.2 Network as Rhizome. -- 2.3 Three Case Studies. -- Knowledge Production in Visual Arts Organisations. A Case Study on the Triangle Network. -- PART II The Three Vertices of Knowledge in Visual Arts Organisations: Mediation, Representation and Conviviality. -- CHAPTER 3 From Education to Mediation: Breaking Down Barriers. -- 3.1 Curating and Education. -- 3.2 Process- vs. Product-Orientation 3.3 Dialogue, Conversation and Mobility. -- 3.4 Mediation. -- 3.5 Architecture as a Mediating Tool. -- CHAPTER 4 Representation – Curating ‘Other’ Knowledge(s). -- 4.1 Making Heterogeneity a Point. -- 4.2 Representation and Identity Politics. -- 4.3 Context-Specific Knowledge Production Between Local and Global. -- CHAPTER 5 Conviviality – What Being Together Means for Knowledge Production. -- 5.1 Shared Space | Shared Time – The Importance of (the) Experience. -- 5.2 Coming Together at the Table: Food + Drinks = Knowledge? -- CONCLUSION Knowledge Production in VAOs – How to Make it Happen? -- References. -- Annexes.
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Libros Biblioteca LadoV Libros 707 ST823k (Browse shelf(Opens below)) Available 005269

Acknowledgements. -- Introduction. -- PART I Visual Arts Organisations Within the Contemporary Arts Landscape. -- CHAPTER 1 Knowledge Production from Curatorial Discourse to Institutional Aim. -- 1.1 Artistic Research. -- 1.2 The Role of the Curator. -- 1.3 New Institutionalism. -- CHAPTER 2 Visual Arts Organisations: Three Case Studies from the Triangle Network. -- 2.1 Triangle Network. -- 2.2 Network as Rhizome. --
2.3 Three Case Studies. -- Knowledge Production in Visual Arts Organisations. A Case Study on the Triangle Network. -- PART II The Three Vertices of Knowledge in Visual Arts Organisations: Mediation, Representation and Conviviality. -- CHAPTER 3 From Education to Mediation: Breaking Down Barriers. -- 3.1 Curating and Education. -- 3.2 Process- vs. Product-Orientation 3.3 Dialogue, Conversation and Mobility. -- 3.4 Mediation. -- 3.5 Architecture as a Mediating Tool. -- CHAPTER 4 Representation – Curating ‘Other’ Knowledge(s). -- 4.1 Making Heterogeneity a Point. -- 4.2 Representation and Identity Politics. -- 4.3 Context-Specific Knowledge Production Between Local and Global. -- CHAPTER 5 Conviviality – What Being Together Means for Knowledge Production. -- 5.1 Shared Space | Shared Time – The Importance of (the) Experience. -- 5.2 Coming Together at the Table: Food + Drinks = Knowledge? -- CONCLUSION Knowledge Production in VAOs – How to Make it Happen? -- References. -- Annexes.

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