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Biennials and Beyond: Exhibitions that made art history / conceived and edited by Phaidon editors and Bruce Altshuler ; introductory essay and chapter introductions by Bruce Altshuler.

Contributor(s): Material type: TextPublication details: London ; New York, N.Y. : Phaidon, ©2008- 2013.Description: 402 p. ill. (col.) ; 30 cmISBN:
  • 9780714844053 (v. 1)
  • 0714844055 (v. 1)
  • 9780714864952 (v. 2)
  • 0714864951 (v. 2)
Subject(s): DDC classification:
  • 709.040.09 22 A469b
Contents:
V.2. Biennials and beyond, 1962-2002 -- Dylaby, Amsterdam, 1962 -- New Realists, New York, 1962 -- Primary Structures, New York, 1966 -- Arte Povera + Azioni povere, Amalfi, 1968 -- January 5-31, 1969, New York, 1969 -- When Attitudes Become Form, Bern, 1969 -- 557,087, Seattle, 1969 -- Information, New York, 1970 -- Sonsbeek 71, The Netherlands, 1971 -- Documenta 5, Kassel, 1972 -- The Bulldozer Exhibition, Moscow, 1974 -- The Times Square Show, New York, 1980 -- A New Spirit in Painting, London, 1981 -- Les Immatériaux, Paris, 1985 -- Chambres d' Amis, Ghent, 1986 -- Second Havana Biennial, 1986 -- Freeze, London, 1988 -- China/Avant-garde, Beijing, 1989 -- Magiciens de la Terre, Paris, 1989 -- Places with a Past, Charleston, 1991 -- Whitney Biennial, New York, 1993 -- Traffic, Bordeaux, 1996 -- Citis on the Move, Vienna, 1997 -- 24th Sao Paulo Biennial, 1998 -- Documenta 11, Kassel, 2002.
Summary: This is the most comprehensive reference book on contemporary art group exhibitions. Coverage includes the development of modern art, shown through all of the most influential group exhibitions in history. This is intended to be a two-volume set, with the second volume intended for publication in 2009. Volume 1 opens with the revolutionary first Salon des Refušs in Paris of 1863 and concludes with the multi-locational international exhibition 'The New American Painting', organized by the Museum of Modern Art, New York, 195859. This work includes a wealth of rare documentary material and ephemera, such as installation photographs, publications and reviews of the period. This is an exceptional sourcebook for anyone interested in the history of twentieth-century art, exhibition design or curatorial practice. - Publisher.
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Material 01 Biblioteca LadoV 709.040.09 A469b (Browse shelf(Opens below)) Available 004113

Solo se posee el volumen 2 Biennials and Beyond . Exhibitions That Made Art History 1962-2002

Includes bibliographical references and indexes.

V.2. Biennials and beyond, 1962-2002 -- Dylaby, Amsterdam, 1962 -- New Realists, New York, 1962 -- Primary Structures, New York, 1966 -- Arte Povera + Azioni povere, Amalfi, 1968 -- January 5-31, 1969, New York, 1969 -- When Attitudes Become Form, Bern, 1969 -- 557,087, Seattle, 1969 -- Information, New York, 1970 -- Sonsbeek 71, The Netherlands, 1971 -- Documenta 5, Kassel, 1972 -- The Bulldozer Exhibition, Moscow, 1974 -- The Times Square Show, New York, 1980 -- A New Spirit in Painting, London, 1981 -- Les Immatériaux, Paris, 1985 -- Chambres d' Amis, Ghent, 1986 -- Second Havana Biennial, 1986 -- Freeze, London, 1988 -- China/Avant-garde, Beijing, 1989 -- Magiciens de la Terre, Paris, 1989 -- Places with a Past, Charleston, 1991 -- Whitney Biennial, New York, 1993 -- Traffic, Bordeaux, 1996 -- Citis on the Move, Vienna, 1997 -- 24th Sao Paulo Biennial, 1998 -- Documenta 11, Kassel, 2002.

This is the most comprehensive reference book on contemporary art group exhibitions. Coverage includes the development of modern art, shown through all of the most influential group exhibitions in history. This is intended to be a two-volume set, with the second volume intended for publication in 2009. Volume 1 opens with the revolutionary first Salon des Refušs in Paris of 1863 and concludes with the multi-locational international exhibition 'The New American Painting', organized by the Museum of Modern Art, New York, 195859. This work includes a wealth of rare documentary material and ephemera, such as installation photographs, publications and reviews of the period. This is an exceptional sourcebook for anyone interested in the history of twentieth-century art, exhibition design or curatorial practice. - Publisher.

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