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Global conceptualism : points of origin, 1950s-1980s / foreword by Luis Camnitzer, Jane Farver, Rachel Weiss ; introduction by Stephen Bann ; essays by László Beke ... [et al.]

Contributor(s): Material type: TextPublication details: New York : Queens Museum of Art : Available through D.A.P./Distributed Art Publishers, c1999.Description: xi, 279 p. : ill. (some col.) ; 29 cmISBN:
  • 0960451498 (pbk.)
  • 9780960451494 (pbk.)
Subject(s): DDC classification:
  • 709.040.75 C184g
Contents:
Acknowledgments / Marilyn L. Simon -- Foreword / Luis Camnitzer, Jane Farver and Rachel Weiss -- Introduction / Stephen Bann -- Concerning the Institution of Art: Conceptualism in Japan / Reiko Tomii and Chiba Shigeo -- European Conceptualism in Every Situation / Claude Gintz -- Conceptualist Tendencies in Eastern European Art / Laszlo Beke -- Tactics for Thriving on Adversity: Conceptualism in Latin America, 1960-1980 / Mari Carmen Ramirez -- Global Conceptualism and North American Conceptual Art / Peter Wollen -- Peripheries in Motion: Conceptualism and Conceptual Art in Australia and New Zealand / Terry Smith -- About Early Soviet Conceptualism / Margarita Tupitsyn -- Where, What, Who, When: A Few Notes on "African" Conceptualism / Okwui Enwezor -- From the Local Context: Conceptual Art in South Korea / Sung Wan-kyung -- Conceptual Art with Anticonceptual Attitude: Mainland China, Taiwan, and Hong Kong / Gao Minglu --
"Con Art" Seen from the Edge: The Meaning of Conceptual Art in South and Southeast Asia / Apinan Poshyananda -- Plates.
Review: "Global Conceptualism: Points of Origin, 1950s-1980s challenges the canonical perception that conceptual art was simply one movement which spread internationally and acknowledges the important local circumstances which gave birth to conceptualist art in regions around the world. This book traces the history of this key development in 20th-century art which was marked by a shift from a consideration of the object to that of the idea."--BOOK JACKET."Covering three decades of idea-based art, this book features works by more than 135 artists from Asia, Western Europe and Eastern Europe, Latin America, North America, the Soviet Union (Russia), Africa, and Australia and New Zealand. This catalogue is published in conjunction with a major touring exhibition organized by the Queens Museum of Art, Queens, New York."--BOOK JACKET.
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Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Material 01 Biblioteca LadoV 709.040.75 C184g (Browse shelf(Opens below)) Available 001479

"Exhibition tour: Queens Museum of Art, New York, April 28-August 29, 1999, Walker Art Center, Minneapolis, December 19, 1999-March 5, 2000, Miami Art Museum, Miami, September 15-November 26, 2000"--T.p. verso.

Includes bibliographical references (p. 262-266) and index.

Acknowledgments / Marilyn L. Simon -- Foreword / Luis Camnitzer, Jane Farver and Rachel Weiss -- Introduction / Stephen Bann -- Concerning the Institution of Art: Conceptualism in Japan / Reiko Tomii and Chiba Shigeo -- European Conceptualism in Every Situation / Claude Gintz -- Conceptualist Tendencies in Eastern European Art / Laszlo Beke -- Tactics for Thriving on Adversity: Conceptualism in Latin America, 1960-1980 / Mari Carmen Ramirez -- Global Conceptualism and North American Conceptual Art / Peter Wollen -- Peripheries in Motion: Conceptualism and Conceptual Art in Australia and New Zealand / Terry Smith -- About Early Soviet Conceptualism / Margarita Tupitsyn -- Where, What, Who, When: A Few Notes on "African" Conceptualism / Okwui Enwezor -- From the Local Context: Conceptual Art in South Korea / Sung Wan-kyung -- Conceptual Art with Anticonceptual Attitude: Mainland China, Taiwan, and Hong Kong / Gao Minglu --

"Con Art" Seen from the Edge: The Meaning of Conceptual Art in South and Southeast Asia / Apinan Poshyananda -- Plates.

"Global Conceptualism: Points of Origin, 1950s-1980s challenges the canonical perception that conceptual art was simply one movement which spread internationally and acknowledges the important local circumstances which gave birth to conceptualist art in regions around the world. This book traces the history of this key development in 20th-century art which was marked by a shift from a consideration of the object to that of the idea."--BOOK JACKET.

"Covering three decades of idea-based art, this book features works by more than 135 artists from Asia, Western Europe and Eastern Europe, Latin America, North America, the Soviet Union (Russia), Africa, and Australia and New Zealand. This catalogue is published in conjunction with a major touring exhibition organized by the Queens Museum of Art, Queens, New York."--BOOK JACKET.

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