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  <titleInfo>
    <title>Arte contemporaneo</title>
    <subTitle>El Abstractismo Parte III</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Veronesi, Giulia</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Giulia Veronesi (autor), Renato Pinto (editor)</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xxu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Buenos Aires Argentina</placeTerm>
    </place>
    <publisher>Viscontea</publisher>
    <dateIssued>1977</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>335 p. ill. (col) 30.5 cm</extent>
  </physicalDescription>
  <tableOfContents>Bauhaus y el arte abstracto en Alemania. Giulia Veronesi El arte abstracto en Europa Central. Los artistas figurativos de la Bauhaus Giulia Veronesi Dossier cientifico Antologia critica de Stijl y Piet Mondrian (Parte II) Los fines del programa de la Bauhaus Los principios que sustentaron los distintos cursos de la Bauhaus Los origenes del filme abstracto</tableOfContents>
  <note type="statement of responsibility">Veronesi, Giulia (autor), Pinto Renato (editor)</note>
  <subject>
    <topic/>
    <topic>Surrealismo</topic>
    <topic>Arte moderno</topic>
    <topic>Siglo 20</topic>
  </subject>
  <classification authority="ddc">759.06 W 143p  v.3</classification>
  <recordInfo>
    <recordCreationDate encoding="marc">150410</recordCreationDate>
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