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  <titleInfo>
    <title>ART PAPERS MAGAZINE</title>
  </titleInfo>
  <name type="personal">
    <namePart>Reeve, Charles</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
    <role>
      <roleTerm type="text">editor</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">Honduras</placeTerm>
    </place>
    <dateIssued>2002</dateIssued>
    <publisher>MITPREESS</publisher>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>22x28cm 62p.</extent>
  </physicalDescription>
  <tableOfContents>FEATURES The Passenger

Lay Miserables

Is there a "Post-Black" Art?</tableOfContents>
  <tableOfContents>COLUMNS AND RESOURCES Headlines

In Brazil

Sound Bytes

Readings

Art Resource Guide</tableOfContents>
  <tableOfContents>PATRIMONIO CULTURAL EL MUNICIPIO REPUBLICANO EN HONDURAS, EL CASO DE COMAYAGÜELA

COMAYAGÜELA EN LOS TIEMPOS DE LA ORQUESTA VERDI</tableOfContents>
  <tableOfContents>Actualidad del Teatro Centroamericano</tableOfContents>
  <tableOfContents>La formación de artistas profesionales en la universidad de San Carlos de Guatemala</tableOfContents>
  <subject>
    <topic>ARTE</topic>
  </subject>
  <subject>
    <topic>EXHIBICIONES</topic>
  </subject>
  <subject>
    <topic>ANALISIS</topic>
  </subject>
  <classification authority="ddc">700 R331a</classification>
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    <recordCreationDate encoding="marc">221006</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230823144114.0</recordChangeDate>
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