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  <titleInfo>
    <nonSort>A </nonSort>
    <title>bigger splash</title>
    <subTitle>painting after performance</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Wood, Catherine</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Wood, Catherine</namePart>
    <namePart type="date">1973-</namePart>
  </name>
  <name type="corporate">
    <namePart>Tate Gallery</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">enk</placeTerm>
    </place>
    <place>
      <placeTerm type="text">London</placeTerm>
    </place>
    <publisher>Tate Publishing</publisher>
    <dateIssued>2012</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>127 p. : ill. (chiefly col.) ; 25 cm.</extent>
  </physicalDescription>
  <abstract>"This exhibition will take a new look at the dynamic relationship between performance and painting since 1950. Contrasting key paintings by Jackson Pollock and David Hockney, the exhibition considers two different approaches to the idea of the canvas as an arena in which to act: one gestural, the other one theatrical. The paintings of the Vienna Actionists or the Shooting Pictures of Niki de St Phalle will be re-presented within the performance context that they were made, and juxtaposed with works by artists such as Cindy Sherman or Jack Smith that used the face and body as a surface, often using make-up in work dealing with gender role-play. The exhibition proposes a new way of looking at the work of a number of younger artists whose approach to painting is energised by these diverse historical sources, drawing upon action painting, drag and the idea of the stage set"--Tate website.</abstract>
  <tableOfContents>'Painting in the shape of a house' / Catherine Wood -- Don't! / Eda Čufer -- Painting (the Threshold of the visible world) / Dieter Roelstraete.</tableOfContents>
  <note type="statement of responsibility">edited by Catherine Wood ; with contributions by Eda Čufer ... [et al.]</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <topic>Painting, Modern</topic>
    <temporal>20th century</temporal>
    <topic>Exhibitions</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Painting, Modern</topic>
    <temporal>21st century</temporal>
    <topic>Exhibitions</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Performance art</topic>
    <temporal>20th century</temporal>
    <topic>Exhibitions</topic>
  </subject>
  <classification authority="ddc">708 W873a</classification>
  <identifier type="isbn">1849760209</identifier>
  <identifier type="isbn">9781849760201</identifier>
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    <recordCreationDate encoding="marc">121108</recordCreationDate>
    <recordChangeDate encoding="iso8601">20220326193308.0</recordChangeDate>
    <recordIdentifier>10203788</recordIdentifier>
  </recordInfo>
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