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  <titleInfo>
    <title>Artpress</title>
    <subTitle>Special</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Kerraoul, Jean Pierre de</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
    <role>
      <roleTerm type="text">editor</roleTerm>
    </role>
    <role>
      <roleTerm type="text">director</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">Paris</placeTerm>
    </place>
    <publisher>Court Gallerie</publisher>
    <dateIssued>2001</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
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    <extent>21x28cm 170p.</extent>
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  <tableOfContents>Ecosystemes du monde de l'art</tableOfContents>
  <tableOfContents>L'art, et la terre sous le ciel</tableOfContents>
  <tableOfContents>Le papillon schizopherene</tableOfContents>
  <tableOfContents>Un marche d l'art en pleine mutation</tableOfContents>
  <tableOfContents>Lettre a un jeune artiste</tableOfContents>
  <tableOfContents>L'effect bande-annonce</tableOfContents>
  <tableOfContents>L'enseigment artistique</tableOfContents>
  <tableOfContents>L'art dans les nouveaux espaces de sociabilite</tableOfContents>
  <tableOfContents>Art, musee et nouveaux espaces de sociabilite</tableOfContents>
  <tableOfContents>Art, musee et nouvelles technologies</tableOfContents>
  <tableOfContents>L'artiste mediateur</tableOfContents>
  <tableOfContents>Ouverture apres travaux</tableOfContents>
  <tableOfContents>Pour une litterature internationale</tableOfContents>
  <tableOfContents>D'une etrange pratique du centre national du livre</tableOfContents>
  <tableOfContents>La double vitesse du marche de l'art contemporain</tableOfContents>
  <tableOfContents>Tout doit disparatre</tableOfContents>
  <tableOfContents>Mondialisation, globalisation, metissages...</tableOfContents>
  <tableOfContents>lES CHEMINS DE LA RECONNAISSANCE</tableOfContents>
  <tableOfContents>Economics Art, l'heure du bilan</tableOfContents>
  <tableOfContents>Les petits salaires du monde de l'art</tableOfContents>
  <tableOfContents>lE DESING COMME CULTURE DU PROJET</tableOfContents>
  <tableOfContents>Du temps expose</tableOfContents>
  <tableOfContents>Les Zines innommables </tableOfContents>
  <tableOfContents>Architecture: de la necessite au hasard</tableOfContents>
  <tableOfContents>Des lieux alternatifs la ou il faut</tableOfContents>
  <tableOfContents>Pourquoi des fondations?</tableOfContents>
  <tableOfContents>West - East Side Story</tableOfContents>
  <tableOfContents>Paradoxes de la mondialisation</tableOfContents>
  <tableOfContents>Bibliographie</tableOfContents>
  <subject>
    <topic>ARTE</topic>
  </subject>
  <subject>
    <topic>EXPOSICIONES</topic>
  </subject>
  <subject>
    <topic>BIENAL</topic>
  </subject>
  <subject>
    <topic>APRECIACION</topic>
  </subject>
  <subject>
    <topic>TEORIA</topic>
  </subject>
  <subject>
    <topic>CRITICA</topic>
  </subject>
  <subject>
    <topic>FOTOGRAFIA</topic>
  </subject>
  <subject>
    <topic>LITERATURA</topic>
  </subject>
  <subject>
    <topic>PARIS</topic>
  </subject>
  <classification authority="ddc">700 K41a</classification>
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    <recordCreationDate encoding="marc">221006</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230413125126.0</recordChangeDate>
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