Indigenous art, curation and criticism García-Antón, Katya (edición) creator text Amsterdam Office for Contemporary Art Norway 2018 monographic 288 p. il. (col) 23,5 x 16,5 cm Preface Katya García-Antón Sounding the global indigenous. Language, contemporaneity and indigenous art writing Can i get a witness? Indigenous art criticism David Garneau What does or should 'Indigenous art' mean? Prashanta Tripura History and context of Madhubani (Mithila) art Santosh Kumar Das Sovereign histories of the visual Jođi lea bouret go oru. Better in motion that at rest. Iver Jåks (1932 - 2007) Irene Snarby Toi te kupu, toi te mana, toi te whenua. The permanence of languages, prestige and land Megan Tamati-Quennell Sovereignity over representation. Indigenous cinema in the Chittagong Hill tracts of Bangladesh Kabita Chakma Statues, maps, stories and laws. Critical perspectives on land right and use Hiding in plain sight. Decolonising public memory Daniel Browning Yarabinja bujarang. Beautiful sea country Megan Cope Indigenous stories, indigenous to global survival Ande Somby Indigenous peoples` land rights in Bangladesh. An overview of the Chittagong Hill tracts Sontosh Bikash Tripura Sovereign world-building, acting within and beyond notions of the curatorial I can steal hear them calling. Echoes of my ancestors Kimberley Moulton People call me Venkat Venkat Raman Singh Shyam Ethno-spatiality as Sovereignty. Curating performative encounters with taiwanese indigenous contemporary art Biung Ismahasan MAATAU ´O TAUTUANAGA MO O TAATOU LUMANA´I. Considering the service of displays for our futures Léuli Maazyaar Luna´i Eshraaghi Indigenous futures and sovereign romanticism. Belonging to a place in time Hannah Donnelly Bibliographies Biographies Index arte contemporáneo arte - indígena curaduría crítica e interpretación 708 B885s 9789492095626 708 B8