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  <controlfield tag="008">702.81 B344t</controlfield>
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    <subfield code="a">Bauer, Ute Meta (edici&#xF3;n)</subfield>
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    <subfield code="a">Theatrical fields: critical strategies in performance, film and video </subfield>
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    <subfield code="a">Singapur </subfield>
    <subfield code="b">NTU Centre for Contemporary Art Singapore </subfield>
    <subfield code="c">2016</subfield>
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    <subfield code="b">ill</subfield>
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    <subfield code="t">Introduction </subfield>
    <subfield code="r">Alan K.L. Chan </subfield>
    <subfield code="t">Foreword </subfield>
    <subfield code="r">Ute Meta Bauer </subfield>
    <subfield code="t">Foreword  </subfield>
    <subfield code="r">Katarina Pierre</subfield>
    <subfield code="t">ARTISTIC PRACTICES AND THEATRICALITY </subfield>
    <subfield code="t">Theatricality Fields: Theory, theater, theatricality </subfield>
    <subfield code="r">Ute Meta Bauer </subfield>
    <subfield code="t">Life of theater? Events so far </subfield>
    <subfield code="r">Eva Meyer </subfield>
    <subfield code="t">Joan Jonas and the Scene of time </subfield>
    <subfield code="r">Marina Warner </subfield>
    <subfield code="t">Screening theatrical fields: toward a certain uncertain futurity </subfield>
    <subfield code="r">Timothy Murray </subfield>
    <subfield code="t">Museum and moving images</subfield>
    <subfield code="r">Giuliana Bruno </subfield>
    <subfield code="t">On showing: the delictic gesture in Ulrike Ottinger&#xB4;s work</subfield>
    <subfield code="r">Katharina Sykora </subfield>
    <subfield code="t">THEORY AND THEATRICALITY </subfield>
    <subfield code="t">A short organum for the theater</subfield>
    <subfield code="r">Bertolt Brecht </subfield>
    <subfield code="t">Rabelais and his world </subfield>
    <subfield code="r">Mikhail Bakhtin </subfield>
    <subfield code="t">The theater of cruelty and the closure of representation </subfield>
    <subfield code="r">Jacques Derrida </subfield>
    <subfield code="t">Perfomance and theatricality: the subject desmytified </subfield>
    <subfield code="r">Josette F&#xE9;ral </subfield>
    <subfield code="t">The disposition of the voice</subfield>
    <subfield code="r">R&#xE9;gis Durand </subfield>
    <subfield code="t">On the balinese theater </subfield>
    <subfield code="r">Antonin Artaud </subfield>
    <subfield code="t">The tooth, the palm </subfield>
    <subfield code="r">Jean-Fran&#xE7;ois Lyotard </subfield>
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    <subfield code="t">Time </subfield>
    <subfield code="t">Theater and theatricality </subfield>
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    <subfield code="t">Installation and representation </subfield>
    <subfield code="t">THEATRICAL FIELDS</subfield>
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    <subfield code="t">Theatrical fields at NTU CCA Singapore </subfield>
    <subfield code="t">Theatrical fields public programs </subfield>
    <subfield code="t">Voice off</subfield>
    <subfield code="r">Judith Barry</subfield>
    <subfield code="t">Suspiria</subfield>
    <subfield code="r">Stan Douglas</subfield>
    <subfield code="t">Sister Squares </subfield>
    <subfield code="r">Marcel Dzama </subfield>
    <subfield code="t">Stilleben</subfield>
    <subfield code="r">Marie-Louise Ekman </subfield>
    <subfield code="t">Lines in the sand </subfield>
    <subfield code="r">Joan Jonas</subfield>
    <subfield code="t">Vagabondia</subfield>
    <subfield code="r">Isaac Julien </subfield>
    <subfield code="t">She might belong to you / she migth (combination #1)</subfield>
    <subfield code="r">Eva Meyer &amp; Eran Schaerf </subfield>
    <subfield code="t">Freak Orlando / Johanna D&#xB4;Arc of Mongolia </subfield>
    <subfield code="r">Ulrike Ottinger </subfield>
    <subfield code="t"> X characters / Re(hers)al</subfield>
    <subfield code="r">Constanze Ruhm </subfield>
    <subfield code="t">Artists Biographies</subfield>
    <subfield code="t">Exhibition credits</subfield>
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    <subfield code="x">arte - teatralidad </subfield>
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    <subfield code="9">6850</subfield>
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    <subfield code="c">Pensamiento</subfield>
    <subfield code="d">2018-12-06</subfield>
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    <subfield code="p">004709</subfield>
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